Not long after
our move to Boston,Catherine cradles her wine at a party at Kenne Highland's
house.
Playing bass in the studio for soundtrack of Monumental.
Songwriting again after a few years break, winter of '98 in NYC.
Christmas of 1998 in Manhattan.
Winter of '98, Northhampton MA. Recording at home with cousin Joe Pernice
for his Subpop solo project, after the massive critical success of the
Pernice Brothers LP Overcome By Happiness. Me and the Foxx Tone
Machine at left, genius producer/engineer and Brothers' bassist Thom Monihan
at right.
Thom and Peyton strategize about guitar overdubs
(l) Joe P. laying down a track in the living room; (r) Joe takes a break
on the "control room" sofa in the basement
John Rosato hits that long, lean note.
.
Bass, drums...the guy's a one man rhythm section.
I met Matt Burns back when he played with Inside Outburst, played with
him soon after in the Peecocks, and have shared stages on and off for
almost a decade.
Matt Burns, terror of all unattached, single, female step-dancers. He
nearly ravaged a swooning herd of 'em one nite at the Middle East! My
pal and Old School Bitch's drummer extraordinaire, Matt has played with
acts as diverse as the Varmints and GG Allen. At this time he was running
his own Brandeis College radio show, and handling live drum duties for
the Kenne Highland Clan!
Though the band we were thinking of starting together never got off
the ground, we had a blast jamming with Yasmin.
Who's your buddy?
Summer 1998. At the Middle East with ex-Dumptruck drummer Sean "King"
Devlin, then with Helium and Blake Hazard
August '98. Playing solo at Green Street Grille, opening for the Titanics
Cover story of the Wall Street Journal's Business Employment Monthly:
a blurb from one of the many JH quotes they used. The fine article
by Stephanie Hammond was on Job Searching on the Internet.
