FLESHTONES
by Joe Harvard

East Coast pals: the Fleshtones headlining a Columbus, Ohio gig with Joe Harvard opening.

No, the Fleshtones aren't from Boston, they are a stone Manhattan outfit. They are truly an archetypal New York City band, as much as the Ramones or the Dolls ever were. There are strong links between the martini kings and the home of the Baked Bean, however, both in terms of their sound and its roots in garage Americana and in less definable, more synchronistic areas. During the 1988 Mardi Gras celebration the Fleshtones were part of the crew assembled to join the parade as members of the Lyons Marching Club. It was Jimmy Ford, New Orleans native and manager of North Carolina's DB's who was host to this horde of rockers joining the cajun chaos. Prominent among the revelers were Will Rigby, Peter Halsapple and Chris from the DB's; the inimitable Monty Lee Wilkes; all of the Fleshtones; the Hoodoo Gurus; Billy from, and the "Ladies Auxiliary": the Bangles. Greg "Skeggie" Kendall and I drove down to N.O. from Boston, joining ex-Flies, then-Titanics leader Nat Freedberg who was already there. We took Nat home with us when we left, tag-team driving in a non-stop 25 hour pedal-to-the-metal trip that left my Aerostar for dead. Skeggie and I got to pick out the costumes for the parade for everybody, and the bonding process was completed with Jaegermaester libations. I dubbed this crew the Mickey Rat Auxiliary Chapter of the Lyons Marching Club. If you look hard you can see Skeggie and the rest marching along in one of the Hoodoo Gurus videos.

One highlight was the disappearance of a marcher who shall remain unnamed. Several revelers decided to drop acid for the parade- I didn't, as just being in New Orleans for Mardi Gras is plenty enough like tripping for me. So this unnamed person was marching along and it was really hilarious, it was his first time on LSD and he was doing all those stereotypical things that you'd expect: reaching out for invisible butterflies, saying "ooooohhhh wowwwww" a lot, etc. After three hours or so of marching someone suddenly says "hey, where's 'you-know-who'?" We look around and the guy is gone, he has simply disappeared. About 20 hours later he shows up at the motel totally spent, a real mess and a half. Turns out he was so spaced that at one juncture in the Zulu parade- which is the one we marched behind -something like three thousand of use turned right and he alone turned left! He wandered into one of the many unpredictable and perverse parrish neighborhoods around New Orleans and suffered numerous bizarre events before finding his way back.

I myself carried two baby bottles full of Jaegermeister in a holster around my waist, trading paper flowers for a kiss with any willing damsel and hurling my dubloons and beads into the crowd with the other marchers. I'd never even heard of Jaegermeister before we arrived at a bar in New Orleans at four am to find a dozen people dancing on a pool table. The waitress asked if I'd like a drink and I said give me what they're drinking. She returned with a plastic cup full of this weird, medicinal witches syrup that I later learned was made from fermented cabbage and whose name means Master Hunter, which explains the mystical stags illustrated on the label. By the time we assembled for the parade at five a.m. I'd been up so long slugging Jaeg with Skeggie that photos taken that day show my face as a soft grey-green. This is the sort of nonsense that makes brothers of men, that and seeing Jimmy Ford spraypainting a pair of sneakers chrome silver at dawn after staying up smoking weed and Master Huntering for two straight days. I shall always feel that I share a spiritual bond with everyone that marched that year- Fleshtones included. Later I sent Peter Zarimba some of the photos of the band in the purple executioner outfits Skeg and I picked out for them. Still later I got ot open for the 'Tones at Stache's when they came through Columbus during the time I lived in Ohio. As they marched around the club prior to and after their set, beating a drum and chanting, I knew that I wasn't the only person whose psyche had been recast by my Mardis Gras experience
Original Paradise Pass designed by Tim McKenna