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Skippy sez: "We Have Nothing to Hide"
The
Boston Rock Storybook is a one-man operation. It's a tribute to the
Boston Rock scene, from the point of view of one specific participant...that'd
be me. While I would love to start offering currently unavailable recordings
of Boston bands covered during the period in question, right now there's
nothing for sale here...this is a non-commercial site. Noone pays me to
do this, there are no sponsors as yet, and that's how it's been since
the winter of 1996, when I started the site as a way of telling stories
my girlfriends were all sick of hearing about how cool the scene was back
in the day. Everything you'll see inside comes from my own collection,
or from the ever-increasing number of musicians and fans who have found
the site, and have begun to send me their precious photos, posters and
other memorabilia to help me tell these stories. So what started as a
strictly personal, weekend activity has burgeoned into a sort of unofficial
history, in story form, written on behalf of the bands and individuals
that got me- and a whole lot like me -turned on to the great music that
poured out of Boston's clubs, bars and studios throughout the late 70's,
80's and early 90's.
"SO
JOE, ARE YOU SAYING THAT TODAY'S MUSIC IS INFERIOR TO THAT STUFF?" Hell
no, partner, I'm not saying that at all. Just paying props to the scene
that paved the way for industry-transforming events that eventually aquired
names like Garage, Punk, Underground, Indie, Grunge, and Alternative.
Much of the site deals with the late 70's, 80's and early 90's because
those years correspond to the period of greatest activity in my own career
in Boston. I try to write about what I know. So coverage is heaviest for
the periods when I owned So-So Studios ('84-'86), Fort
Apache ('86 - '93), and from my tenure as a founding member of Helldorado,
the three-man team that began booking bands at the now-famous Middle
East Restaurant. Plus the years between '75 and '93 when I played
for various lengths of time with bands like Unnatural Axe, Baby's Arm,
Slow Children, the Bones, Lazy Susan, Xana Don't, the Kendall Brothers,
500 TV, Mr. Happy, the Local 22's, the Country Cousins, Loren Danielle
and Blunt, or worked for bands like the Real Kids, Baby's Arm, Honey Pie,
and the Sex Execs.
The
question I get most is: WHY ISN'T SUCH AND SUCH A BAND COVERED? And it's
a good one, as questions go. The thing is, Boston's rock scene was so
rich and varied in the 70's and 80's that there are loads of truly
important bands whose stories should be told. But I'm still just one guy,
and there's just so many hours in a day, especially factoring in things
like working to keep myself alive, recording music, domestic obligations
etc etc. I've had to overlook some worthy and wonderful bands, otherwise
I would end up with 500 articles that have little more in them than a
title and an "Under Construction" banner. So how do I choose the bands?
Simple.
These
are mainly bands I've worked, played, hung out or been friends with, and
most articles are anecdotal and autobiographical ("war stories"). That's
why it's a Storybook- not a Museum. I write using my own experiences as
a starting point, and fill in the historical details as I go along. Hopefully
the "personal touch" is something you will appreciate, but if not there's
always Chuck White's comprehensive web site Dirty
Water, which makes an effort to cover EVERY BAND THAT EVER PLAYED
IN BOSTON, a monumental feat. That's not my gig; I write about what I
know, and what I've seen and heard for the most part. Some articles are
about bands I didn't know that well- but still loved, groups I felt were
just too important (to me, anyway) to leave out of the story I'm
trying to pass on. Some were added because there was so much interest
on the part of the site's viewers that I caved in and wrote an article
though I had no real relationship with the band in question.
There are many feature
articles already completed, and I do my best to keep posting articles
so that one day there will be a page for every band listed. A lot of "construction"
is still going on, so please be patient. There are already over a thousand
images to check out, and a mess of articles finished (or nearly so).

Call Before Midnite!! Operators Standing By!
"JOE, CAN I GET
AN ARTICLE ON YOUR SITE?" you ask. Shit yeah. I am definitely open to
putting up any other articles you care to submit, and I already incorporate
informative emails into the articles when readers offer stories, tidbits,
or corrections to my woefully inadequate fact-checking department (that
would be me). If you have articles, pictures, posters or other memorabilia
I can scan and post- or you just want to say "hi"- you can use the link
below to email me. You can call me at (212) 982-0027, too. Those who've
sent materials for this site can be found on the Contributors
and Credits page
I
am honored by your presence. Check back often to see what's new as articles
and images are being updated and added continually. Use that Refresh
or Reload button to get the latest version. There have been so
many emails from fans and musicians, I used to post them on the Readers
Write page, but now I add the better ones to the articles. I hope to include
a directory of email addresses at one point, to help folks get in touch
with old friends and with their favorite musicians from this period. Did
I mention this is all very time consuming, and I'm ALWAYS a bit behind?
'Cuz I should if I didn't already.
So that's the disclaimer.
Sorry if I can't or haven't gotten to your old band, your friend's old
band, or your favorite group from 1979. The Boston scene during the years
I cover was perhaps the best in the country, and the point is to insure
it isn't forgotten or glossed over. As I said before, I hope this site
serves to inspire others to launch their own projects, to cover all those
great bands I can't get to.
Joe Harvard
June 2006

Backstage at the
Rat, circa 1980 ... "I have nothing to hide"
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