DISCLAIMER
by Joe Harvard

skippy, nothing to hide, photo by Joe Harvard
Skippy sez: "We Have Nothing to Hide"

The Boston Rock Storybook is a one-man operation. It's a tribute to the Boston Rock scene, from the point of view of one specific participant...that'd be me. While I would love to start offering currently unavailable recordings of Boston bands covered during the period in question, right now there's nothing for sale here...this is a non-commercial site. Noone pays me to do this, there are no sponsors as yet, and that's how it's been since the winter of 1996, when I started the site as a way of telling stories my girlfriends were all sick of hearing about how cool the scene was back in the day. Everything you'll see inside comes from my own collection, or from the ever-increasing number of musicians and fans who have found the site, and have begun to send me their precious photos, posters and other memorabilia to help me tell these stories. So what started as a strictly personal, weekend activity has burgeoned into a sort of unofficial history, in story form, written on behalf of the bands and individuals that got me- and a whole lot like me -turned on to the great music that poured out of Boston's clubs, bars and studios throughout the late 70's, 80's and early 90's.

"SO JOE, ARE YOU SAYING THAT TODAY'S MUSIC IS INFERIOR TO THAT STUFF?" Hell no, partner, I'm not saying that at all. Just paying props to the scene that paved the way for industry-transforming events that eventually aquired names like Garage, Punk, Underground, Indie, Grunge, and Alternative. Much of the site deals with the late 70's, 80's and early 90's because those years correspond to the period of greatest activity in my own career in Boston. I try to write about what I know. So coverage is heaviest for the periods when I owned So-So Studios ('84-'86), Fort Apache ('86 - '93), and from my tenure as a founding member of Helldorado, the three-man team that began booking bands at the now-famous Middle East Restaurant. Plus the years between '75 and '93 when I played for various lengths of time with bands like Unnatural Axe, Baby's Arm, Slow Children, the Bones, Lazy Susan, Xana Don't, the Kendall Brothers, 500 TV, Mr. Happy, the Local 22's, the Country Cousins, Loren Danielle and Blunt, or worked for bands like the Real Kids, Baby's Arm, Honey Pie, and the Sex Execs.

The question I get most is: WHY ISN'T SUCH AND SUCH A BAND COVERED? And it's a good one, as questions go. The thing is, Boston's rock scene was so rich and varied in the 70's and 80's that there are loads of truly important bands whose stories should be told. But I'm still just one guy, and there's just so many hours in a day, especially factoring in things like working to keep myself alive, recording music, domestic obligations etc etc. I've had to overlook some worthy and wonderful bands, otherwise I would end up with 500 articles that have little more in them than a title and an "Under Construction" banner. So how do I choose the bands? Simple.

These are mainly bands I've worked, played, hung out or been friends with, and most articles are anecdotal and autobiographical ("war stories"). That's why it's a Storybook- not a Museum. I write using my own experiences as a starting point, and fill in the historical details as I go along. Hopefully the "personal touch" is something you will appreciate, but if not there's always Chuck White's comprehensive web site Dirty Water, which makes an effort to cover EVERY BAND THAT EVER PLAYED IN BOSTON, a monumental feat. That's not my gig; I write about what I know, and what I've seen and heard for the most part. Some articles are about bands I didn't know that well- but still loved, groups I felt were just too important (to me, anyway) to leave out of the story I'm trying to pass on. Some were added because there was so much interest on the part of the site's viewers that I caved in and wrote an article though I had no real relationship with the band in question.

There are many feature articles already completed, and I do my best to keep posting articles so that one day there will be a page for every band listed. A lot of "construction" is still going on, so please be patient. There are already over a thousand images to check out, and a mess of articles finished (or nearly so).

skippy, operator standing by, photo by Joe Harvard
Call Before Midnite!! Operators Standing By!

"JOE, CAN I GET AN ARTICLE ON YOUR SITE?" you ask. Shit yeah. I am definitely open to putting up any other articles you care to submit, and I already incorporate informative emails into the articles when readers offer stories, tidbits, or corrections to my woefully inadequate fact-checking department (that would be me). If you have articles, pictures, posters or other memorabilia I can scan and post- or you just want to say "hi"- you can use the link below to email me. You can call me at (212) 982-0027, too. Those who've sent materials for this site can be found on the Contributors and Credits page

I am honored by your presence. Check back often to see what's new as articles and images are being updated and added continually. Use that Refresh or Reload button to get the latest version. There have been so many emails from fans and musicians, I used to post them on the Readers Write page, but now I add the better ones to the articles. I hope to include a directory of email addresses at one point, to help folks get in touch with old friends and with their favorite musicians from this period. Did I mention this is all very time consuming, and I'm ALWAYS a bit behind? 'Cuz I should if I didn't already.

So that's the disclaimer. Sorry if I can't or haven't gotten to your old band, your friend's old band, or your favorite group from 1979. The Boston scene during the years I cover was perhaps the best in the country, and the point is to insure it isn't forgotten or glossed over. As I said before, I hope this site serves to inspire others to launch their own projects, to cover all those great bands I can't get to.

Joe Harvard
June 2006


Backstage at the Rat, circa 1980 ... "I have nothing to hide"

Site designed at 1024 x 768 resolution and best viewed at a screen setting of at least 800 x 600 pixels, with a color setting of 256 colors or more. Authored the old-fahioned way...with Notepad, raw code and caffeine... newer edits done with Macromedia Dreamweaver.
Original Paradise Pass designed by Tim McKenna