ASA BREBNER
by Joe Harvard

Asa Brebner is a great guitar player, a great songwriter, and a very cool human being. He has one of the premier collections of ceramic clowns- and clown related art -probably in the universe. Well, okay, the Barnum Museum in Florida may have more clowns, but certainly not tackier ones. In the course of his career Asa has provided the backbone for a half dozen genuinely important bands- and a slew of bands in between. Mr. Brebner has done it all, with the exception of getting the sort of national attention and exposure he truly deserves. One of the things I'm really proud of in my own career has been getting the music series started at the Middle East Restaurant (along with Greg "Skeggie" Kendall and Billy Ruane, later Joyce Linnehan and others). But that accomplishment pales next to Asa's role in getting an entire scene started through his pioneering work with the Mezz (coincidentally, both the first Mezz show at the Rat and the first Helldorado Music at the Middle East show were on Tuesday nights). When I had a chance to build a dream band for a one night, single rehearsal gig at the Middle East, I knew I had to ask Asa to play guitar. As usual he rocked the place (we recorded that night in 1988 using Fort Apache's 16 track machine, and soon I'll be posting some of the tunes from that One Rehearsal All Star Band on the Audio Jukebox page). Look up dependable in hte dictionary and his picture is there- though it could just as easily be under the entry for "unique" or "perseverance". In a city that has a lot of talented, highly original musicians, Asa is one of those who form the benchmark. While I write most of these articles myself, I think that Asa's Circle Records bio relates a lot of the important details in his story, and it's well written, too, so I'm going to start by including it verbatim here:

Asa Brebner and Jonathan, Photo courtesy of Asa Brebner
Asa Brebner with sometime bandmate Jonathan Richman. Besides his guitar and songwriting chops, Asa played bass during the Modern Lovers Live! period. He has since returned to play and record with the band, both as a guitarist and a bass player.

Most rock fans know Asa Brebner's name, but have hard time agreeing on who he is. Some popular assumptions include: One of the important figures in the birth of punk/ Jonathan Richman's tough big brother/ folk-rock lead guitarist with Robin Lane. In Boston everybody claims friendship with Asa, and the truth is he has helped out more unlikely bands, played on more sessions, and done more musical charity work than any normal man.

Here's some more truth: Brebner grew up in Boston, the only child of two writers. He attended a progressive high school and learned guitar from listening to R&B, the Rolling Stones and oddball blues records. After graduation he and a friend hitchhiked through Central and South America. As he approached the bottom of the world, Asa got separated from his pal and was picked up by local cops, who charged him with being an American drug smuggler. Following a quick trial in a banana republic, Asa was sentenced to twenty years in prison. He was 17 years old. After a year spent suffering dysentery, leaming Spanish, and reading Kazantzakis, Asa escaped prison and make his way to the American Embassy. The U.S. diplomats smuggled him home.

Back in Boston in 1974 Asa started the Mezz, a stripped down rock 'n roll band. They convinced the owner of a Kenmore Square bar called the Rathskeller to let them play. Thus began the "Years of the Rat", the dingy club that became a center for what was later dubbed punk rock. During the reign of the Mezz (and its two spinoffs - Nervous Eaters and the Chartbusters) the Rat would become the birthplace of the Cars, Human Sexual Response and lots of other Boston favorites, as well as a pit stop for the Ramones, Talking Heads, the Police, and countless others on the same narrow road. But by the time Punk Rock became an international cause celebre in 1976, Asa was already off to his next adventure. He had a day job running a Cambridge health food store frequented by Jonathan Richman. When Richman's first Modern Lovers album - recorded a few years earlier - was finally released in '76, Jonathan found himself in demand. He convinced Asa to join the hastily reformed Modern Lovers, just in time for their first tour or Europe. A few days after his last Rat gig, Asa was playing in European concert halls to fans from Sid Vicious to Mick Jagger.

Although Asa continued to tour and record with the Modern Lovers, he spent his off-time at the Rat. In 1978 Robin Lane showed up - new in Boston and amazed by the punk scene. Asa and fellow Mezz/Modern Lover Leroy Radcliffe put together a band for the newcomer. Over the next two years Robin Lane and the Chartbusters became a hotter property than the Modern Lovers (After the Chartbusters were signed to Warner by Jerry Wexler, Asa continued to play on Richman's albums). Robin and the Chartbusters recorded two albums and an EP in 1980 - 81. They also toured America several times, leaving the whole band exhausted and unhappy. They earned critical raves, sold well enough to crack the top half of the Billboard charts and were early faves on MTV. But the Chartbusters were doomed by circumstance. In the summer of '81 Robin left the group to return to California, have a baby and focus on family and songwriting.

Warner Brothers immediately paid for Asa and the band's rhythm section to go into the studio with David Knopfler, who hadjust left Dire Straits. After several months of recording, Knopfler decided he wanted his new group based in London. Asa figured he would rather stay in the U.S. and front the band himself. Knopfler returned to the Old World and a record deal based on the American sessions. In 1982 Asa launched the Grey Boys, the first band in which he sang and wrote all the songs. Accompanied by the Chartbusters rhythm section, Asa played the Boston clubs and immediately won critical acclaim. The Boston Phoenix claimed he "was already set for mainstream stardom". But Asa wasn't so sure he was ready. At 26 he was already a vet and needed a chance to get off the rock treadmill. He divided his time between songwriting and outside projects (his cartoons appeared in High Times and other magazines). At the end of 1982 the former Chartbuster agreed to reunite with Robin Lane for one album and tour.

For the next two years Asa worked as a guitar player. He did several club tours with Lane, and reunited the Modern Lovers with Richman to play Europe, the UK, the States and Australia. He continued to write his own songs, and rehearse them with pick-up bands when he was in Boston. In early '86 Brebner passed on another British tour with Richman and assembled a band to play his own material. He called his new group Idle Hands. They went into a little eight track studio and recorded a demo tape.The song "Last Bad Habit" from the demo tape reached the ears of Elvis Costello, Mark Knopner, T Bone Burnett and Mitchell Froom who acted as judges for Musician Magazine's Best of the Unsigned Bands contest and appeared on the Warner Bros. Best of the Unsigned Bands CD compilation in 1988.

The ensuing years have found Asa continuing to write, record and play his songs. These days he can be found at the musician/songwriter hangs of Cambridge - Toad, the Lizard Lounge and the Middle East - backed by former bandmates and an impressive array of area players. He's just released his first solo album, Prayers of a Snowball In Hell on Ocean Music (new home for Robin Lane, Barrence Whitfield and Four Piece Suit). Prayers of A Snowball In Hell is arguably Asa's best creative effort. Near forty and by his own account a late bloomer, Asa dismisses the predictions of the critics over the years that he is destined for stardom. He says he simply want to make a living writing songs and playing music. One listen to Prayers.. should leave little doubt about Asa's living. It should also leave no doubt that you've just hear a sometimes wise, sometimes tart, often funny but always relevant songwriter deliver a truly great batch.

That bio pretty much says most of what I would have said. Through his involvement with the scene for so many years, Asa has enriched the Boston music scene, and he gets my vote for any all-star roster. Starting with the Mezz, one of the pioneer bands that opened up rooms like the Rat and the Club for rock in the 70's, he was a standout player. With the Modern Lovers he showed that he could bring the same style and soul to bass that he did to guitar, and his later guitar work with the Lovers was every bit as tasteful. Unlike contemporaries Willie "Loco" Alexander or the Real Kids, however, the Mezz have been largely overlooked in the rock press and left out of most retrospectives. That's too bad because Mickey Clean and the Mezz were prime movers in the early scene- you can take the link below to read more about them. You can also take the link below to read about the Modern Lovers. I hope to get some more images onto this page, and add some audio clips as well. Until then, Asa, we salute you!

Mezz 45 cover, photo by Carol Fonde
The first Mezz single on the aptly named ASA Records

 


Go to the Mezz article...


Go to the Modern Lovers article...

Visit these other sites for bands in the Asa Brebner family tree:
the Modern Lovers... Mickey Clean and the Mezz...
Nervous Eaters...

Original Paradise Pass designed by Tim McKenna